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The grim contemporary relevance of Paul Schrader's 1978 union noir
by Saul Austerlitz   posted Jun 9, 2009

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Courtesy Anchor Bay Entertainment
Yaphet Kotto, Richard Pryor and Harvey Keitel in Blue Collar
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KEYWORDS

Paul Schrader  |  Blue Collar  |  film review  |  Richard Pryor  |  Harvey Keitel  |  Martin Scorsese  |  New Hollywood  |  film noir  |  comedy  |  social classes

THE AUTHOR

Saul Austerlitz is at work on a book on the history of American film comedy.

More articles by Saul Austerlitz