Her Brilliant Decade
Chantal Akerman on New York, mother-daughter bonds, and her '70s classics
by Melissa Anderson
posted Jan 19, 2010
COMMENTS (1)
LATEST ARTICLES
Fighting Words
by Imogen Sara Smith
posted August 12, 2014
Fighting Words, Part 2
by Imogen Sara Smith
posted August 20, 2014
On the Margins: The Fil…
by Andrew Chan
posted August 12, 2014
Robin Williams: A Sense…
by David Schwartz
posted August 12, 2014
More
Photo Gallery:
Her Brilliant Decade
RELATED ARTICLE
Bordering on Fiction by David SchwartzWorld of Wander by Livia Bloom
More: Article Archive
THE AUTHOR
Melissa Anderson, a regular contributor to The Village Voice and Artforum.com, is currently writing a monograph on Jacques Demy’s The Young Girls of Rochefort for BFI Film Classics.
More articles by Melissa Anderson
Disgusting. Isn't it so very noble to steal from one's workplace to put towards one's art. After her starving stint at the porn theater & once she'd made a few dollars with film career in place, I wonder whether she tracked down her former employer to pay back those ill-gotten gains. Perhaps Ms. Akerman considers it just fine as one of her heroes, JLG, did the same, lifting from the till of Les Cahiers in the 50s. Egoist, careerist dirtbags, both. I'm a small business owner (successful independent dvd rental/sales outlet) & have found it so galling & spirit-crushing when members my staff (who I happen to take great pains to compensate well & treat fairly) have stolen from me over the years. Such moral weakness, & obviously a sickness, but one I've got no patience for. Such a shame when those you've admired in life, or in the case of art with Ms. Akerman, let you down.
Pierrot posted 24.01.10