January 2012
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Laws of Desire
What did David Cronenberg's Videodrome get right about us?
by Tom McCormack posted January 26, 2012
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Physical Instincts
The phantom limbs of Dead Ringers
by Gina Telaroli posted January 20, 2012
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They Came From Within
Yonic symbolism in the films of David Cronenberg
by Miriam Bale posted January 20, 2012
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Space Exploration
Patrick Keiller on landscape cinema and the problem of dwelling
by Leo Goldsmith posted January 18, 2012
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The 1 Percent Solution
The contemporary resonances of Christoph Hochhäusler’s The City Below
by Michael Sicinski posted January 13, 2012
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The Fallen
Love and revolution in Raya Martin's Buenas Noches, España
by Phil Coldiron posted January 13, 2012
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Her Own Devices
The quiet mystery and harsh poetry of Valérie Massadian's Nana
by Robert Koehler posted January 12, 2012
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Capitalist Punishment
Moral dilemmas and financial disaster in Johnnie To's Life Without Principle
by Shelly Kraicer posted January 12, 2012
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Twilight Zone
Shadows and fog in the in-between world of Théo Court's Ocaso
by Robert Koehler posted January 11, 2012
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Family Viewing
Gastón Solnicki's Papirosen and the reinvention of the home movie
by Mark Peranson posted January 11, 2012
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A Nude by Garrel
That Summer, the representation of beauty, and the law of love
by Eugenio Renzi posted January 10, 2012
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Unplugged
The digital disjunction of Mark Jackson's Without
by Phil Coldiron posted January 7, 2012
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Island Time
The memory project of Gonçalo Tocha's It's the Earth Not the Moon
by R. Emmet Sweeney posted January 7, 2012
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Ghost World
History as occult knowledge in Abrantes and Schmidt's Palaces of Pity
by Colin Beckett posted January 7, 2012
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Darkness Doubled
Grandrieux, Adachi, and documentary portraiture as a meeting of minds
by Leo Goldsmith posted January 7, 2012
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Jungle Fever
Madness and malaise in Chantal Akerman's Almayer's Folly
by Andréa Picard posted January 6, 2012
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Going the Distance
An interview with the Armenian master Artavazd Peleshian
by Scott MacDonald posted January 6, 2012
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Glass Houses
The anti-allegorical impulse in Andrei Zvyagintsev's Elena
by Michael Sicinski posted January 6, 2012
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Up on the Roof
On the making of Jack Smith's Flaming Creatures
by J. Hoberman posted January 5, 2012
