December 2011
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Obscure Objects of Desire
The contradictions of Cuba in the work of Nicolás Guillén Landrián
by Chris Fujiwara posted December 19, 2011
February 2011
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Finished Business
An Ozu tribute by Minoru Shibuya—and the Ozu film that might have been
by Chris Fujiwara posted February 9, 2011
November 2010
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The Unseen Chabrol, Pt 3
As long as we still lag behind him, Claude Chabrol is not dead
by Chris Fujiwara posted November 11, 2010
October 2010
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The Unseen Chabrol, Pt 2
As long as we still lag behind him, Claude Chabrol is not dead
by Chris Fujiwara posted October 26, 2010
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The Unseen Chabrol, Pt 1
As long as we still lag behind him, Claude Chabrol is not dead
by Chris Fujiwara posted October 12, 2010
December 2009
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Double Feature
The fragility of innocence in Clint Eastwood's Changeling and Gran Torino
by Chris Fujiwara posted December 1, 2009
October 2009
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Love Letter
A centenary valentine to Japanese screen legend Kinuyo Tanaka
by Chris Fujiwara posted October 23, 2009
September 2009
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Fleeting Glimpses
The three-film universe of Sadao Yamanaka
by Chris Fujiwara posted September 11, 2009
July 2009
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Pure Escapes
Jerzy Skolimowski and the placeless utopia of youth
by Chris Fujiwara posted July 10, 2009
April 2009
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No Wasted Moments
The anti-cinema of Kiju Yoshida
by Chris Fujiwara posted April 2, 2009
November 2008
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The King of Comedy
Wresting order from disorder in Jerry Lewis's adventures in multiplicity
by Chris Fujiwara posted November 17, 2008
October 2008
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Mission Impossible
The melodramas of Vincente Minnelli, master of illusion and disillusionment
by Chris Fujiwara posted October 30, 2008
September 2008
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The Struggle to Believe
Nagisa Oshima and the crisis of representation
by Chris Fujiwara posted September 26, 2008
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The Past Becomes Past
Jacques Tourneur's memory of the thought of a western
by Chris Fujiwara posted September 15, 2008
August 2008
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Tears Without Laughter
Deciphering audience responses to Douglas Sirk, in the U.S. and Japan
by Chris Fujiwara posted August 18, 2008
June 2008
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A Mirror for Mama-san
How the young Tatsuya Nakadai offered a crafty old director a new shade of maleness
by Chris Fujiwara posted June 4, 2008
